The Golden Touch

Just what every piano leg needs... some gilded piano wire.  This "piano leg" project it taking me places I never thought I'd go.  Isn't that why we all step into the studio every morning?

Strength Test

Here are the results of a strength test I did for piano legs I am making.  I will post more about the project later but here is a teaser.

Yup, I think they will hold a Steinway grand piano!

 

Woodkilton Studio in the Toronto Star

Woodkilton Studio was featured in the Toronto Star along with two other Ontario furniture makers. 

 Read the article here

Patience

Finally.

Patience 2014

Four or more years ago a client arrived in my shop with 5 pieces of oddly shaped maple burl veneer and asked me to make a cabinet inspired by the veneer shape.  And so my journey began...  

After making a "proof of concept" and many mock ups

Work began on round drawers

Bow front doors

Hardware

French polishing for that perfect shine

and trimming

and fitting

and overcoming obstacles

Fitting drawers

and turning drawer fronts on the lathe

It was a long journey but well worth it.

Cutting Mortises for the Stern Chair

Here is how I cut the mortises on the back of the Stern chair.  

My Domino would not cut a mortise wide enough so I made a jig to accurately overlap two Domino slots.  It took quite a bit of trial and error to get the hole spacing on the jig just right.

The jig served as a reference fence for the Domino

The centre line on the jig marked the centre line for the mortise

The outside hole on the jig marked the location for Domino pin to cut the first slot

First mortise complete

The inside hole on the jig marked the location for the 2nd

 plunge cut

The mortise is now complete

The walnut tenon fits perfectly

Woodkilton Studio in the Ottawa Citizen

Woodkilton Studio was featured in the Homes & Condos section of the Ottawa Citizen.
   Read the article here.

Love at First Sight

When a client asked me to reproduce a Danish rosewood dining chair she bought decades ago in England, I was delighted.  This classic chair had me in its grips from the moment I first laid eyes on it.

The original chair with the walnut slab used to make the new chairs

 

Although the chair is seductive simplicity in its purest form, the joints for the chair were anything but simple to make.  Even the smallest error while cutting the curved components produced a sloppy looking joint.

The stretcher to leg joint was surprisingly difficult to cut

But the chairs were well worth the effort.  Beyond their beauty, the chairs are some of the most comfortable dining chairs I have ever sat in.

The completed chair

I always built a spare chair (the understudy, if you like) when making chairs.  This chair now sits in our dining room.  When I walk through the house late at night the chair still catches my gaze and stops me in my tracks.  I'll never tire of looking at it.

Chair detail